Lyra woke early to find the morning quiet and warm, as if the city never had any other weather than this calm summer. She slipped out of bed and downstairs, and hearing some children's voices out on the water, went to see what they were doing.
Three boys and a girl were splashing across the sunlit harbor in a couple of pedal boats, racing toward the steps. As they saw Lyra, they slowed for a moment, but then the race took hold of them again. The winners crashed into the steps so hard that one of them fell into the water, and then he tried to climb into the other craft and tipped that over, too, and then they all splashed about together as if the fear of the night before had never happened. They were younger than most of the children by the tower, Lyra thought, and she joined them in the water, with Pantalaimon as a little silver fish glittering beside her. She never found it hard to talk to other children, and soon they were gathered around her, sitting in pools of water on the warm stone, their shirts drying quickly in the sun. Poor Pantalaimon had to creep into her pocket again, frog-shaped in the cool damp cotton.
"What you going to do with that cat?"
"Can you really take the bad luck away?"
"Where you come from?"
"Your friend, he ain' afraid of Specters?"
"Will en't afraid of anything," Lyra said. "Nor'm I. What you scared of cats for?"
"You don't know about cats?" the oldest boy said incredulously. "Cats, they got the devil in them, all right. You got to kill every cat you see. They bite you and put the devil in you too. And what was you doing with that big pard?"
She realized he meant Pantalaimon in his leopard shape, and shook her head innocently.
"You must have been dreaming," she said. "There's all kinds of things look different in the moonlight. But me and Will, we don't have Specters where we come from, so we don't know much about 'em."
"If you can't see 'em, you're safe," said a boy. "You see 'em, you know they can get you. That's what my pa said, then they got him."
"And they're here, all around us now?"
"Yeah," said the girl. She reached out a hand and grabbed a fistful of air, crowing, "I got one now!"
"They can't hurt you," one of the boys said. "So we can't hurt them, all right."
"And there's always been Specters in this world?" said Lyra.
"Yeah," said one boy, but another said, "No, they came a long time ago. Hundreds of years."
"They came because of the Guild," said the third.
"The what?" said Lyra.
"They never!" said the girl. "My granny said they came because people were bad, and God sent them to punish us."
"Your granny don' know nothing," said a boy. "She got a beard, your granny. She's a goat, all right."
"What's the Guild?" Lyra persisted.
"You know the Torre degU Angeli," said a boy. "The stone tower, right. Well it belongs to the Guild, and there's a secret place in there. The Guild, they're men who know all kind of things. Philosophy, alchemy, all kind of things they know. And they were the ones who let the Specters in."
"That ain' true," said another boy. 'They came from the stars."
"It is! This is what happened, all right: this Guild man hundreds of years ago was taking some metal apart. Lead. He was going to make it into gold. And he cut it and cut it smaller and smaller till he came to the smallest piece he could get There ain' nothing smaller than that. So small you couldn' see it, even. But he cut that, too, and inside the smallest little bit there was all the Specters packed in, twisted over and folded up so tight they took up no space at all. But once he cut it, bam! They whooshed out, and they been here ever since. That's what my papa said."
"Is there any Guild men in the tower now?" said Lyra.
"No! They run away like everyone else," said the girl.
"There ain' no one in the tower. That's haunted, that place," said a boy. "That's why the cat came from there. We ain' gonna go in there, all right. Ain' no kids gonna go in there. That's scary."
"The Guild men ain' afraid to go in there," said another.
"They got special magic, or something. They're greedy, they live off the poor people," said the girl. "The poor people do all the work, and the Guild men just live there for nothing."
"But there en't anyone in the tower now?" Lyra said. "No grownups?"
"No grownups in the city at all!"
"They wouldn' dare, all right."
But she had seen a young man up there. She was convinced of it. And there was something in the way these children spoke; as a practiced liar, she knew liars when she met them, and they were lying about something.
And suddenly she remembered: little Paolo had mentioned that he and Angelica had an elder brother, Tullio, who was in the city too, and Angelica had hushed him.... Could the young man she'd seen have been their brother?
She left them to rescue their boats and pedal back to the beach, and went inside to make some coffee and see if Will was awake. But he was still asleep, with the cat curled up at his feet, and Lyra was impatient to see her Scholar again. So she wrote a note and left it on the floor by his bedside, and took her rucksack and went off to look for the window.
The way she took led her through the little square they'd come to the night before. But it was empty now, and the sunlight dusted the front of the ancient tower and showed up the blurred carvings beside the doorway: humanlike figures with folded wings, their features eroded by centuries of weather, but somehow in their stillness expressing power and compassion and intellectual force.
"Angels," said Pantalaimon, now a cricket on Lyra's shoulder.
"Maybe Specters," Lyra said.
"No! They said this was something angeli" he insisted. "Bet that's angels."
"Shall we go in?"
They looked up at the great oak door on its ornate black hinges. The half-dozen steps up to it were deeply worn, and the door itself stood slightly open. There was nothing to stop Lyra from going in except her own fear.
She tiptoed to the top of the steps and looked through the opening. A dark stone-flagged hall was all she could see, and not much of that; but Pantalaimon was fluttering anxiously on her shoulder, just as he had when they'd played the trick on the skulls in the crypt at Jordan College, and she was a little wiser now. This was a bad place. She ran down the steps and out of the square, making for the bright sunlight of the palm tree boulevard. And as soon as she was sure there was no one looking, she went straight across to the window and through into Will's Oxford.
Forty minutes later she was inside the physics building once more, arguing with the porter; but this time she had a trump card
"You just ask Dr. Malone," she said sweetly. "That's all you got to do, ask her. She'll tell you."
The porter turned to his telephone, and Lyra watched pityingly as he pressed the buttons and spoke into it. They didn't even give him a proper lodge to sit in, like a real Oxford college, just a big wooden counter, as if it was a shop.
"All right," said the porter, turning back. "She says go on up. Mind you don't go anywhere else."
"No, I won't," she said demurely, a good little girl doing what she was told.
At the top of the stairs, though, she had a surprise, because just as she passed a door with a symbol indicating woman on it, it opened and there was Dr. Malone silently beckoning her in.
She entered, puzzled. This wasn't the laboratory, it was a washroom, and Dr. Malone was agitated.
She said, "Lyra, there's someone else in the lab—police officers or something. They know you came to see me yesterday—I don't know what they're after, but I don't like it What's going on?"
"How do they know I came to see you?"
"I don't know! They didn't know your name, but I knew who they meant—"
"Oh. Well, I can lie to them. That's easy."
"But what is going on?”
A woman's voice spoke from the corridor outside: "Dr. Malone? Have you seen the child?"
"Yes," Dr. Malone called. "I was just showing her where the washroom is..."
There was no need for her to be so anxious, thought Lyra, but perhaps she wasn't used to danger.
The woman in the corridor was young and dressed very smartly, and she tried to smile when Lyra came out, but her eyes remained hard and suspicious.
"Hello," she said. "You're Lyra, are you?"
"Yeah. What's your name?"
"I'm Sergeant Clifford. Come along in."
Lyra thought this young woman had a nerve, acting as if it were her own laboratory, but she nodded meekly. That was the moment when she first felt a twinge of regret. She knew she shouldn't be here; she knew what the alethiometer wanted her to do, and it was not this. She stood doubtfully in the doorway.
In the room already there was a tall powerful man with white eyebrows. Lyra knew what Scholars looked like, and neither of these two was a Scholar.
"Come in, Lyra," said Sergeant Clifford again. "It's all right. This is Inspector Walters."
"Hello, Lyra," said the man. "I've been hearing all about you from Dr. Malone here. I'd like to ask you a few questions, if that's all right."
"What sort of questions?" she said.
"Nothing difficult," he said, smiling. "Come and sit down, Lyra."
He pushed a chair toward her. Lyra sat down carefully, and heard the door close itself. Dr. Malone was standing nearby. Pantalaimon, cricket-formed in Lyra's breast pocket, was agitated; she could feel him against her breast, and hoped the tremor didn't show. She thought to him to keep still.
"Where d'you come from, Lyra?" said Inspector Walters.
If she said Oxford, they'd easily be able to check. But she couldn't say another world, either. These people were dangerous; they'd want to know more at once. She thought of the only other name she knew of in this world: the place Will had come from.
"Winchester," she said.
"You've been in the wars, haven't you, Lyra?" said the inspector. "How did you get those bruises? There's a bruise on your cheek, and another on your leg—has someone been knocking you about?"
"No," said Lyra.
"Do you go to school, Lyra?"
"Yeah. Sometimes," she added.
"Shouldn't you be at school today?"
She said nothing. She was feeling more and more uneasy. She looked at Dr. Malone, whose face was tight and unhappy.
"I just came here to see Dr. Malone," Lyra said.
"Are you staying in Oxford, Lyra? Where are you staying?"
"With some people," she said. "Just friends."
"What's their address?"
"I don't know exactly what it's called. I can find it easy, but I can't remember the name of the street."
"Who are these people?"
"Just friends of my father," she said.
"Oh, I see. How did you find Dr. Malone?"
'"Cause my father's a physicist, and he knows her."
It was going more easily now, she thought. She began to relax into it and lie more fluently.
"And she showed you what she was working on, did she?"
"Yeah. The engine with the screen ... Yes, all that."
"You're interested in that sort of thing, are you? Science, and so on?"
"Yeah. Physics, especially."
"You going to be a scientist when you grow up?"
That sort of question deserved a blank stare, which it got. He wasn't disconcerted. His pale eyes looked briefly at the young woman, and then back to Lyra.
"And were you surprised at what Dr. Malone showed you?"
"Well, sort of, but I knew what to expect"
"Because of your father?"
"Yeah. 'Cause he's doing the same kind of work."
"Yes, quite. Do you understand it?"
"Some of it"
"Your father's looking into dark matter, then?"
"Yes."
"Has he got as far as Dr. Malone?"
"Not in the same way. He can do some things better, but that engine with the words on the screen—he hasn't got one of those."
"Is Will staying with your friends as well?"
"Yes, he—"
And she stopped. She knew at once she'd made a horrible mistake.
So did they, and they were on their feet in a moment to stop her from running out but somehow Dr. Malone was in the way, and the sergeant tripped and fell, blocking the way of the inspector. It gave Lyra time to dart out, slam the door shut behind her, and run full tilt for the stairs.
Two men in white coats came out of a door, and she bumped into them. Suddenly Pantalaimon was a crow, shrieking and flapping, and he startled them so much they fell back and she pulled free of their hands and raced down the last flight of stairs into the lobby just as the porter put the phone down and lumbered along behind his counter calling out "Oy! Stop there! You!"
But the flap he had to lift was at the other end, and she got to the revolving door before he could come out and catch her.
And behind her, the lift doors were opening, and the pale-haired man was running out so fast, so strong—
And the door wouldn't turn! Pantalaimon shrieked at her: they were pushing the wrong side!
She cried out in fear and turned herself around, hurling her little weight against the heavy glass, willing it to turn, and got it to move just in time to avoid the grasp of the porter, who then got in the way of the pale-haired man, so Lyra could dash out and away before they got through.
Across the road, ignoring the cars, the brakes, the squeal of tires; into this gap between tall buildings, and then another road, with cars from both directions. But she was quick, dodging bicycles, always with the pale-haired man just behind her—oh, he was frightening!
Into a garden, over a fence, through some bushes— Pantalaimon skimming overhead, a swift, calling to her which way to go; crouching down behind a coal bunker as the pale man's footsteps came racing past, and she couldn't hear him panting, he was so fast, and so fit; and Pantalaimon said, "Back now! Go back to the road—"
So she crept out of her hiding place and ran back across the grass, out through the garden gate, into the open spaces of the Banbury Road again; and once again she dodged across, and once again tires squealed on the road; and then she was running up Norham Gardens, a quiet tree-lined road of tall Victorian houses near the park.
She stopped to gain her breath. There was a tall hedge in front of one of the gardens, with a low wall at its foot, and she sat there tucked closely in under the privet.
"She helped us!" Pantalaimon said. "Dr. Malone got in their way. She's on our side, not theirs."
"Oh, Pan," she said, "I shouldn't have said that about Will. I should've been more careful—"
"Shouldn't have come," he said severely.
"I know. That too ..."
But she hadn't got time to berate herself, because Pantalaimon fluttered to her shoulder, and then said, "Look out—behind—" and immediately changed to a cricket again and dived into her pocket.
She stood, ready to run, and saw a large, dark blue car gliding silently to the pavement beside her. She was braced to dart in either direction, but the car's rear window rolled down, and there looking out was a face she recognized.
"Lizzie," said the old man from the museum. "How nice to see you again. Can I give you a lift anywhere?"
And he opened the door and moved up to make room beside him. Pantalaimon nipped her breast through the thin cotton, but she got in at once, clutching the rucksack, and the man leaned across her and pulled the door shut.
"You look as if you're in a hurry," he said. "Where d'you want to go?"
"Up Summertown," she said, "please."
The driver was wearing a peaked cap. Everything about the car was smooth and soft and powerful, and the smell of the old man's cologne was strong in the enclosed space. The car pulled out from the pavement and moved away with no noise at all.
"So what have you been up to, Lizzie?" the old man said. "Did you find out more about those skulls?"
"Yeah," she said, twisting to see out of the rear window. There was no sign of the pale-haired man. She'd gotten away! And he'd never find her now that she was safe in a powerful car with a rich man like this. She felt a little hiccup of triumph.
"I made some inquiries too," he said. "An anthropologist friend of mine tells me that they've got several others in the collection, as well as the ones on display. Some of them are very old indeed. Neanderthal, you know."
"Yeah, that's what I heard too," Lyra said, with no idea what he was talking about.
"And how's your friend?"
"What friend?" said Lyra, alarmed. Had she told him about Will too?
"The friend you're staying with."
"Oh. Yes. She's very well, thank you."
"What does she do? Is she an archaeologist?"
"Oh ... she's a physicist. She studies dark matter," said Lyra, still not quite in control. In this world it was harder to tell lies than she'd thought. And something else was nagging at her. this old man was familiar in some long-lost way, and she just couldn't place it.
"Dark matter?" he was saying. "How fascinating! I saw something about that in The Times this morning. The universe is full of this mysterious stuff, and nobody knows what it is! And your friend is on the track of it, is she?"
"Yes. She knows a lot about it."
"And what are you going to do later on, Lizzie? Are you going in for physics too?" , "I might," said Lyra. "It depends."
The chauffeur coughed gently and slowed the car down.
"Well, here we are in Summertown," said the old man. "Where would you like to be dropped?"
"Oh, just up past these shops. I can walk from there," said Lyra. "Thank you."
'Turn left into South Parade, and pull up on the right, could you, Allan," said the old man.
"Very good, sir," said the chauffeur.
A minute later the car came to a silent halt outside a public library. The old man held open the door on his side, so that Lyra had to climb past his knees to get out. There was a lot of space, but somehow it was awkward, and she didn't want to touch him, nice as he was.
"Don't forget your rucksack," he said, handing it to her.
"Thank you," she said.
"I'll see you again, I hope, Lizzie," he said. "Give my regards to your friend."
"Good-bye," she said, and lingered on the pavement till the car had turned the corner and gone out of sight before she set off toward the hornbeam trees. She had a feeling about that pale-haired man, and she wanted to ask the alethiometer.
Will was reading his father's letters again. He sat on the terrace hearing the distant shouts of children diving off the harbor mouth, and read the clear handwriting on the flimsy airmail sheets, trying to picture the man who'd penned it, and looking again and again at the reference to the baby, to himself.
He heard Lyra's running footsteps from some way off. He put the letters in his pocket and stood up, and almost at once Lyra was there, wild-eyed, with Pantalaimon a snarling savage wildcat, too distraught to hide. She who seldom cried was sobbing with rage; her chest was heaving, her teeth were grinding, and she flung herself at him, clutching his arms, and cried, "Kill him! Kill him! I want him dead! I wish lorek was here! Oh, Will, I done wrong, I'm so sorry—"
"What? What's the matter?"
"That old man—he en't nothing but a low thief. He stole it, Will! He stole my alethiometer! That stinky old man with his rich clothes and his servant driving the car. Oh, I done such wrong things this morning—oh, I—"
And she sobbed so passionately he thought that hearts really did break, and hers was breaking now, for she fell to the ground wailing and shuddering, and Pantalaimon beside her became a wolf and howled with bitter grief.
Far off across the water, children stopped what they were doing and shaded their eyes to see. Will sat down beside Lyra and shook her shoulder.
"Stop! Stop crying!" he said. "Tell me from the beginning. What old man? What happened?"
"You're going to be so angry. I promised I wouldn't give you away, I promised it, and then ..." she sobbed, and Pantalaimon became a young clumsy dog with lowered ears and wagging tail, squirming with self-abasement; and Will understood that Lyra had done something that she was too ashamed to tell him about, and he spoke to the daemon.
"What happened? Just tell me," he said.
Pantalaimon said, "We went to the Scholar, and there was someone else there—a man and a woman—and they tricked us. They asked a lot of questions and then they asked about you, and before we could stop we gave it away that we knew you, and then we ran away—"
Lyra was hiding her face in her hands, pressing her head down against the pavement. Pantalaimon was flickering from shape to shape in his agitation: dog, bird, cat, snow-white ermine.
"What did the man look like?" said Will.
"Big," said Lyra's muffled voice, "and ever so strong, and pale eyes ..."
"Did he see you come back through the window?"
"No, but..."
"Well, he won't know where we are, then."
"But the alethiometer!" she cried, and she sat up fiercely, her face rigid with emotion, like a Greek mask.
"Yeah," said Will. 'Tell me about that"
Between sobs and teeth grindings she told him what had happened: how the old man had seen her using the alethiometer in the museum the day before, and how he'd stopped the car today and she'd gotten in to escape from the pale man, and how the car had pulled up on that side of the road so she'd had to climb past him to get out, and how he must have swiftly taken the alethiometer as he'd passed her the rucksack....
He could see how devastated she was, but not why she should feel guilty. And then she said: "And, Will, please, I done something very bad. Because the alethiometer told me I had to stop looking for Dust—at least I thought that's what it said— and I had to help you. I had to help you find your father. And I could, I could take you to wherever he is, if I had it. But I wouldn't listen. I just done what / wanted to do, and I shouldn't...."
He'd seen her use it, and he knew it could tell her the truth. He turned away. She seized his wrist, but he broke away from her and walked to the edge of the water. The children were playing again across the harbor. Lyra ran up to him and said, "Will, I'm so sorry—"
"What's the use of that? I don't care if you're sorry or not You did it."
"But, Will, we got to help each other, you and me, because there en't anyone else!"
"I can't see how."
"Nor can I, but..."
She stopped in midsentence, and a light came into her eyes.
She turned and raced back to her rucksack, abandoned on the pavement, and rummaged through it feverishly.
"I know who he is! And where he lives! Look!" she said, and held up a little white card. "He gave this to me in the museum! We can go and get the alethiometer back!"
Will took the card and read: